Nonfiction

“To have [Zitkála-Šá’s] work collected here now speaks to the tenacity of her spirit, her insistence on being heard across generations. Speaking of herself, of her world, she teaches us how to be now.” –Erin Marie Lynch, foreword

Planted in a Strange Earth: Selected Writings by Zitkála-Šá brings together fiction, nonfiction, and poetry by one of the most influential yet underappreciated activist-artists of the twentieth century. Zitkála-Šá (also known as Gertrude Simmons Bonnin, 1876-1938) spent her early years on the Yankton Indian Reservation before becoming a pupil, teacher, and reluctant poster child of the Indian boarding school system. Her first national publications marked a definitive break with the oppressive ideas behind her education, and her early fame as a musician and writer evolved into a decades-long political career fighting for Native rights.

The collection focuses on the author’s writing on assimilationist projects of the late nineteenth and early twentieth century and their impact within Native communities and individuals. Zitkála-Šá’s voice is lyrical, bold and fresh–even over 100 years after initial publication. Her writing captures the intense beauty and pain of growing up and explores what it means to forge an identity in the face of cultural erasure. These are essential feminist texts that dig into the cruel tensions of an era through the eyes of an author who spent a lifetime “actively testing the chains which tightly bound [her] individuality like a mummy for burial.”

Designer Kassie John created a special zine for this collection that readers can download, print, and fold into a free mini-book at home (complete with a coloring page illustration of Zitkála-Šá!).
Ten Days in a Mad-House compiles Nellie Bly's reporting from her first undercover assignment for the New York World in 1887. She disguised herself as "a crazy person" in order to get herself admitted to the Women's Lunatic Asylum on Blackwell's Island (now Roosevelt's Island). She spent ten days there as a patient before the World secured her release. Her articles led to a grand jury investigation and a major budget expansion for New York State asylums.

While Bly's projects were often framed as stunts— by her paper and others—Ten Days is a serious examination of what happens to women that society finds inconvenient (whether or not they have an illness). Bly describes her experience with frank horror while also deploying her trademark observational humor, trained on the absurdity of the institution and the people who uphold its abuses. Cita's edition positions this landmark text within the tradition of feminist literature about women's experiences with mental illness, mental health treatment, and in mental institutions.
"Read together, the reflections of the Nobel women reveal a range of ideas about what literature can do and a sense of a practitioner's responsibility to these ideas. While the lectures vary widely in content-from Lessing's and Gordimer's concrete political lessons to Szymborska's larger abstract musings to fables personal (Müller) and universal (Morrison)-each contains observations that are at once totally complex and recognizably true." - Jessi Haley
"I have tried in this little volume to explain aesthetic preference, particularly as regards visible shapes, by the facts of mental science. But my explanation is addressed to readers in whom I have no right to expect a previous knowledge of psychology, particularly in its more modern developments. I have therefore based my explanation of the problems of aesthetics as much as possible upon mental facts familiar, or at all events easily intelligible, to the lay reader."

Vernon Lee's 1913 text examines the nature of beauty and our response to it--examining taste, emotional responses, and debates around artistic value.
"When “On the Equality of the Sexes” appeared in 1790 in Massachusetts Magazine, it became the earliest known public claim in America for female equality." - Bonnie Hurd Smith
"Santa Teresa’s trajectory of personal survival is as miraculous as the survival of her Meditations. Despite almost disappearing into flames ignited by the zealous orthodoxy of some confessor, this text reaches us today, after four and a half centuries of vicissitudes. And what better way to celebrate its continued existence than through this digital edition, available from anywhere in the world to any reader with access to a device with the internet?" - Ana María Carvajal

Watch our behind-the-scenes exploration with Ana María Carvajal and Catalina Vásquez!
"The first time I read Incidents in the Life of a Slave Girl I was in an undergraduate women writers course at the University of North Carolina Greensboro in 2004. My coming into consciousness as a Black feminist had not yet revealed itself; however I knew that Jacobs’ story of strength, perseverance, and courage would beckon me to pick it up again and again throughout my life. Jacobs’ writerly voice, deeply multilayered, was doing many things: championing the cause of the enslaved, actualizing her own plight as a survivor, and redeeming herself as woman." -Dr. Christy Hyman

Harriet Jacobs' 1861 autobiography is a landmark text for the U.S. abolitionist movement that continues to inspire and influence art, scholarship, and literature nearly two centuries after it was first published under the pseudonym Linda Brent.