Mary Shelley wrote Mathilda from 1819-1820, shortly after her novel Frankenstein was an immediate popular hit--but it wasn't published until more than a century later. Narrated by a young woman on her deathbed, the novella explores grief, despair, and redemption. Despite its deployment of familiar Gothic themes like suicide, incest, and a woman withering away, its framing is frequently read as a feminist reclamation of the genre.
“To have [Zitkála-Šá’s] work collected here now speaks to the tenacity of her spirit, her insistence on being heard across generations. Speaking of herself, of her world, she teaches us how to be now.” –Erin Marie Lynch, foreword
Planted in a Strange Earth: Selected Writings by Zitkála-Šá brings together fiction, nonfiction, and poetry by one of the most influential yet underappreciated activist-artists of the twentieth century. Zitkála-Šá (also known as Gertrude Simmons Bonnin, 1876-1938) spent her early years on the Yankton Indian Reservation before becoming a pupil, teacher, and reluctant poster child of the Indian boarding school system. Her first national publications marked a definitive break with the oppressive ideas behind her education, and her early fame as a musician and writer evolved into a decades-long political career fighting for Native rights.
The collection focuses on the author’s writing on assimilationist projects of the late nineteenth and early twentieth century and their impact within Native communities and individuals. Zitkála-Šá’s voice is lyrical, bold and fresh–even over 100 years after initial publication. Her writing captures the intense beauty and pain of growing up and explores what it means to forge an identity in the face of cultural erasure. These are essential feminist texts that dig into the cruel tensions of an era through the eyes of an author who spent a lifetime “actively testing the chains which tightly bound [her] individuality like a mummy for burial.”
Designer Kassie John created a special zine for this collection that readers can download, print, and fold into a free mini-book at home (complete with a coloring page illustration of Zitkála-Šá!).
“'The Yellow Wall-Paper' (1892) holds an important place among rediscovered works by turn-of-the-century American women writers for its bold critique of gender politics in a patriarchal society. The nameless narrator, undergoing the infamous rest cure for what doctors now diagnose as postpartum depression, experiences debilitating psychological effects. At first repulsed by the wallpaper in the room where she is sequestered in a country estate, the narrator comes to like it as she vows to decode its pattern—she imagines many women creeping behind bars and identifies with one trapped woman, arguably a reflection of her painful position as a woman in Victorian America. Many of the story’s first readers considered it a psychological horror tale in the fashion of Poe." - Catherine J. Golden
Family curses, demonic doppelgangers, lingering loss, and redemption--Gaskell's 1856 gothic ghost story presents a suspenseful tale with a feminist frame. The anchor to the story is Irish servant Bridget FitzGerald, whose power and fierce pain drives the story's conflict and, ultimately, its resolution, influencing the fates of entire families and towns.
"This story is not about a bygone society’s oppressive strictures, but, rather, about its piecemeal accommodation of subversive actions and vehement passions." - Krithika Varagur
"The Old Maid" is the second novella in Wharton's 1924 quartet Old New York; each story in the collection represents a decade in "Old New York" society from the 1840s to the 1870s. In this novella (originally subtitled "The Fifties"), Delia and Charlotte conspire to raise Charlotte's secret daughter without activating suspicion within their exacting, closed social circle. Wharton expertly digs into her characters and the social contradictions they exploit to protect their family in a story that is as biting as it is tender and, at times, triumphant. Playwright Zoë Akins won a Pulitzer Prize for her adaption of the book in 1935, and a film starring Bette Davis and directed by Edmund Goulding came out in 1939. We are thrilled to bring this book to new audiences with a free, open access edition available online to all readers with an internet connection.
"Passion’s necessity may be one of the lessons we can take from Chopin’s controversial text, but certainly it is not the only lesson. The novel emerged from obscurity like a different kind of storm: taking the literary world to new heights and awareness of what women writers could do." - Heather Ostman
Kate Chopin's 1899 novel tells the story of Edna Pontellier as she seeks to expand her life beyond the boundaries of Creole society and the restrictive expectations for wives and mothers. Called everything from "poison" to ""not altogether wholesome in its tendencies" upon publication, The Awakening is now recognized as a classic of feminist literature that also laid the stylistic foundation for modernist Southern fiction.
"The first time I read Incidents in the Life of a Slave Girl I was in an undergraduate women writers course at the University of North Carolina Greensboro in 2004. My coming into consciousness as a Black feminist had not yet revealed itself; however I knew that Jacobs’ story of strength, perseverance, and courage would beckon me to pick it up again and again throughout my life. Jacobs’ writerly voice, deeply multilayered, was doing many things: championing the cause of the enslaved, actualizing her own plight as a survivor, and redeeming herself as woman." -Dr. Christy Hyman
Harriet Jacobs' 1861 autobiography is a landmark text for the U.S. abolitionist movement that continues to inspire and influence art, scholarship, and literature nearly two centuries after it was first published under the pseudonym Linda Brent.
